Feuchte Leggins

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Language: English. Runtime: 90 min. Color: Color. Edit page. Clear your history. At the time of the commission, the Stuttgart Opera House was undergoing renovation, necessitating the use of a nearby playhouse with a smaller orchestra pit.

Upon learning this, Glass and conductor Dennis Russell Davies visited the playhouse, placing music stands around the pit to determine how many players the pit could accommodate.

The two found they could not fit a full orchestra in the pit. Glass decided to eliminate the violins, which had the effect of "giving the orchestra a low, dark sound that came to characterize the piece and suited the subject very well".

Glass again collaborated with Robert Wilson on another opera, the CIVIL warS , premiered in , which also functioned as the final part "the Rome section of Wilson's epic work by the same name, originally planned for an "international arts festival that would accompany the Olympic Games in Los Angeles".

The premiere of The CIVIL warS in Los Angeles never materialized and the opera was in the end premiered at the Opera of Rome. Glass's and Wilson's opera includes musical settings of Latin texts by the 1st-century-Roman playwright Seneca and allusions to the music of Giuseppe Verdi and from the American Civil War , featuring the 19th century figures Giuseppe Garibaldi and Robert E.

Lee as characters. In the mids, Glass produced "works in different media at an extraordinarily rapid pace". Beckett vehemently disapproved of the production of Endgame at the American Repertory Theater Cambridge, Massachusetts , which featured JoAnne Akalaitis 's direction and Glass's Prelude for timpani and double bass, but in the end, he authorized the music for Company , four short, intimate pieces for string quartet that were played in the intervals of the dramatization.

This composition was initially regarded by the composer as a piece of Gebrauchsmusik 'music for use' —"like salt and pepper This interest in writing for the string quartet and the string orchestra led to a chamber and orchestral film score for Mishima: A Life in Four Chapters Paul Schrader , —85 , which Glass recently described as his "musical turning point" that developed his "technique of film scoring in a very special way".

Glass also dedicated himself to vocal works with two sets of songs, Three Songs for chorus , settings of poems by Leonard Cohen , Octavio Paz and Raymond Levesque , and a song cycle initiated by CBS Masterworks Records : Songs from Liquid Days , with texts by songwriters such as David Byrne , Paul Simon , in which the Kronos Quartet is featured as it is in Mishima in a prominent role.

Glass also continued his series of operas with adaptations from literary texts such as The Juniper Tree an opera collaboration with composer Robert Moran , , Edgar Allan Poe 's The Fall of the House of Usher , and also worked with novelist Doris Lessing on the opera The Making of the Representative for Planet 8 —86, and performed by the Houston Grand Opera and English National Opera in Compositions such as Company , Facades and String Quartet No.

In taking this direction his chamber and orchestral works were also written in a more and more traditional and lyrical style.

In these works, Glass often employs old musical forms such as the chaconne and the passacaglia —for instance in Satyagraha , [19] the Violin Concerto No.

A series of orchestral works originally composed for the concert hall commenced with the 3-movement Violin Concerto No.

This work was commissioned by the American Composers Orchestra and written for and in close collaboration with the violinist Paul Zukofsky and the conductor Dennis Russel Davies, who since then has encouraged the composer to write numerous orchestral pieces.

The Concerto is dedicated to the memory of Glass's father: "His favorite form was the violin concerto, and so I grew up listening to the Mendelssohn , the Paganini , the Brahms concertos.

So when I decided to write a violin concerto, I wanted to write one that my father would have liked. This turn to orchestral music was continued with a symphonic trilogy of "portraits of nature", commissioned by the Cleveland Orchestra , the Rotterdam Philharmonic Orchestra , and the Atlanta Symphony Orchestra : The Light , The Canyon , and Itaipu While composing for symphonic ensembles, Glass also composed music for piano, with the cycle of five movements titled Metamorphosis adapted from music for a theatrical adaptation of Franz Kafka 's The Metamorphosis , and for the Errol Morris film The Thin Blue Line , In the same year Glass met the poet Allen Ginsberg by chance in a book store in the East Village of New York City, and they immediately "decided on the spot to do something together, reached for one of Allen's books and chose Wichita Vortex Sutra ", [50] a piece for reciter and piano which in turn developed into a music theatre piece for singers and ensemble, Hydrogen Jukebox Glass also returned to chamber music; he composed two String Quartets No.

This work originated in one of many theater music collaborations with the director JoAnne Akalaitis , who originally asked the Gambian musician Foday Musa Suso "to do the score [for Jean Genet 's "The Screens"] in collaboration with a western composer".

Music from "The Screens" is on occasion a touring piece for Glass and Suso one set of tours also included percussionist Yousif Sheronick , and individual pieces found its way to the repertoire of Glass and the cellist Wendy Sutter.

Another collaboration was a collaborative recording project with Ravi Shankar , initiated by Peter Baumann a member of the band Tangerine Dream , which resulted in the album Passages In the late s and early s, Glass's projects also included two highly prestigious opera commissions based on the life of explorers:.

Especially in The Voyage , the composer "explore[d] new territory", with its "newly arching lyricism", " Sibelian starkness and sweep", and "dark, brooding tone Glass remixed the S'Express song Hey Music Lover , for the b-side of its release as a single.

After these operas, Glass began working on a symphonic cycle, commissioned by the conductor Dennis Russell Davies, who told Glass at the time: "I'm not going to let you He referred to the music of Honegger , Milhaud , and Villa-Lobos as possible models for his symphony.

In the four movements of his Third Symphony, Glass treats a piece string orchestra as an extended chamber ensemble. In the third movement, Glass re-uses the chaconne as a formal device; one commentator characterized Glass's symphony as one of the composer's "most tautly unified works" [56] [57] The third Symphony was closely followed by a fourth, subtitled Heroes , commissioned the American Composers Orchestra.

Its six movements are symphonic reworkings of themes by Glass, David Bowie, and Brian Eno from their album "Heroes" , ; as in other works by the composer, it is also a hybrid work and exists in two versions: one for the concert hall, and another, shorter one for dance, choreographed by Twyla Tharp.

Another commission by Dennis Russell Davies was a second series for piano, the Etudes for Piano dedicated to Davies as well as the production designer Achim Freyer ; the complete first set of ten Etudes has been recorded and performed by Glass himself.

Bruce Brubaker and Dennis Russell Davies have each recorded the original set of six. Most of the Etudes are composed in the post-minimalist and increasingly lyrical style of the times: "Within the framework of a concise form, Glass explores possible sonorities ranging from typically Baroque passagework to Romantically tinged moods".

In the same way the triptych is also a musical homage to the work of the group of French composers associated with Cocteau, Les Six and especially to Glass's teacher Darius Milhaud , as well as to various 18th-century composers such as Gluck and Bach whose music featured as an essential part of the films by Cocteau.

One can only suspect that Orpheus' grief must have resembled the composer's own", K. Robert Schwartz suggests. The characters are depicted by both singers and dancers.

The scoring of the opera evokes Bach's Concerto for Four Harpsichords , but in another way also "the snow, which falls relentlessly throughout the opera Here time stands still.

There is only music, and the movement of children through space" Glass. In the late s and early s, Glass's lyrical and romantic styles peaked with a variety of projects: operas, theatre and film scores Martin Scorsese 's Kundun , , Godfrey Reggio 's Naqoyqatsi , , and Stephen Daldry 's The Hours , , a series of five concerts, and three symphonies centered on orchestra-singer and orchestra-chorus interplay.

Two symphonies, Symphony No. The operatic Symphony No. Besides writing for the concert hall, Glass continued his ongoing operatic series with adaptions from literary texts: The Marriages of Zones 3, 4 and 5 [] story-libretto by Doris Lessing , In the Penal Colony , after the story by Franz Kafka , and the chamber opera The Sound of a Voice , with David Henry Hwang , which features the Pipa , performed by Wu Man at its premiere.

Glass also collaborated again with the co-author of Einstein on the Beach , Robert Wilson , on Monsters of Grace , and created a biographic opera on the life of astronomer Galileo Galilei In the early s, Glass started a series of five concerti with the Tirol Concerto for Piano and Orchestra , premiered by Dennis Russell Davies as conductor and soloist , and the Concerto Fantasy for Two Timpanists and Orchestra , for the timpanist Jonathan Haas.

The Concerto for Cello and Orchestra had its premiere performance in Beijing, featuring cellist Julian Lloyd Webber ; it was composed in celebration of his fiftieth birthday.

The concerto celebrates the pioneers' trek across North America, and the second movement features a duet for piano and Native American flute.

With the chamber opera The Sound of a Voice , Glass's Piano Concerto No. Waiting for the Barbarians , an opera from J.

Coetzee 's novel with the libretto by Christopher Hampton , had its premiere performance in September Russell Davies notes. Two months after the premiere of this opera, in November , Glass's Symphony No.

After three symphonies for voices and orchestra, this piece was a return to purely orchestral and abstract composition; like previous works written for the conductor Dennis Russell Davies the Concerto Grosso and the Symphony No.

Critic Allan Kozinn described the symphony's chromaticism as more extreme, more fluid, and its themes and textures as continually changing, morphing without repetition, and praised the symphony's "unpredictable orchestration ", pointing out the "beautiful flute and harp variation in the melancholy second movement".

The musical material is cut from familiar fabric, but it's striking that the composer forgoes the expected bustling conclusion and instead delves into a mood of deepening twilight and unending night.

The Passion of Ramakrishna , was composed for the Pacific Symphony Orchestra, the Pacific Chorale and the conductor Carl St.

The 45 minutes choral work is based on the writings of Indian Spiritual leader Ramakrishna , which seem "to have genuinely inspired and revived the composer out of his old formulas to write something fresh", as one critic remarked, whereas another noted "The musical style breaks little new ground for Glass, except for the glorious Handelian ending A cello suite, composed for the cellist Wendy Sutter, Songs and Poems for Solo Cello — , was equally lauded by critics.

It was described by Lisa Hirsch as "a major work, In , Glass also worked alongside Leonard Cohen on an adaptation of Cohen's poetry collection Book of Longing.

The work, which premiered in June in Toronto, is a piece for seven instruments and a vocal quartet, and contains recorded spoken word performances by Cohen and imagery from his collection.

Appomattox , an opera surrounding the events at the end of the American Civil War, was commissioned by the San Francisco Opera and premiered on October 5, As in Waiting for the Barbarians , Glass collaborated with the writer Christopher Hampton, and as with the preceding opera and Symphony No.

He's definitely developed more skill as an orchestrator, in his ability to conceive melodies and harmonic structures for specific instrumental groups.

Apart from this large-scale opera, Glass added a work to his catalogue of theater music in , and continuing—after a gap of twenty years—to write music for the dramatic work of Samuel Beckett.

He provided a "hypnotic" original score for a compilation of Beckett's short plays Act Without Words I , Act Without Words II , Rough for Theatre I and Eh Joe , directed by JoAnne Akalaitis and premiered in December Glass's work for this production was described by The New York Times as "icy, repetitive music that comes closest to piercing the heart".

Pendulum , a one-movement piece for violin and piano , a second Suite of cello pieces for Wendy Sutter , and Partita for solo violin for violinist Tim Fain , first performance of the complete work , are recent entries in the series.

Other works for the theater were a score for Euripides ' The Bacchae , directed by JoAnne Akalaitis , and Kepler , yet another operatic biography of a scientist or explorer.

The opera is based on the life of 17th century astronomer Johannes Kepler , against the background of the Thirty Years' War , with a libretto compiled from Kepler's texts and poems by his contemporary Andreas Gryphius.

It is Glass's first opera in German, and was premiered by the Bruckner Orchestra Linz and Dennis Russell Davies in September LA Times critic Mark Swed and others described the work as " oratorio -like"; Swed pointed out the work is Glass's "most chromatic, complex, psychological score" and "the orchestra dominates I was struck by the muted, glowing colors, the character of many orchestral solos and the poignant emphasis on bass instruments".

In and , Glass returned to the concerto genre. Violin Concerto No. It premiered in December by the Toronto Symphony Orchestra , and was subsequently performed by the London Philharmonic Orchestra in April Glass also donated a short work, Brazil , to the video game Chime , which was released on February 3, In January , Glass performed at the MONA FOMA festival in Hobart , Tasmania.

The festival promotes a broad range of art forms, including experimental sound, noise, dance, theatre, visual art, performance and new media.

In August , Glass presented a series of music, dance, and theater performances as part of the Days and Nights Festival. Other works completed since include Symphony No.

Glass's Ninth Symphony was co-commissioned by the Bruckner Orchestra Linz , the American Composers Orchestra and the Los Angeles Philharmonic Orchestra.

The symphony's first performance took place on January 1, , at the Brucknerhaus in Linz, Austria Dennis Russell Davies conducting the Bruckner Orchestra Linz ; the American premiere was on January 31, , Glass's 75th birthday , at Carnegie Hall Dennis Russell Davies conducting the American Composers Orchestra , and the West Coast premiere with the Los Angeles Philharmonic under the baton of John Adams on April 5.

The opera The Perfect American was composed in to a commission from Teatro Real Madrid. Glass published his memoir, Words Without Music , in His 11th symphony , commissioned by the Bruckner Orchestra Linz, the Istanbul International Music Festival , and the Queensland Symphony Orchestra , premiered on January 31, , Glass's 80th birthday, at Carnegie Hall, Dennis Russell Davies conducting the Bruckner Orchestra.

Glass's 12th symphony was premiered by the Los Angeles Philharmonic under John Adams at the Walt Disney Concert Hall in Los Angeles on January 10, In collaboration with stage auteur, performer and co-director with Kirsty Housley Phelim McDermott , he composed the score for the new work Tao of Glass , which premiered at the Manchester International Festival [] before touring to the Perth Festival.

Glass describes himself as a "classicist", pointing out he is trained in harmony and counterpoint and studied such composers as Franz Schubert , Johann Sebastian Bach , and Wolfgang Amadeus Mozart with Nadia Boulanger.

Early admirers of his minimalism include musicians Brian Eno and David Bowie. Glass has collaborated with recording artists such as Paul Simon , Suzanne Vega , [] Mick Jagger , [] Leonard Cohen , David Byrne , Uakti , Natalie Merchant , [] S'Express Glass remixed their track Hey Music Lover in [] and Aphex Twin yielding an orchestration of Icct Hedral in on the Donkey Rhubarb EP.

Glass's compositional influence extends to musicians such as Mike Oldfield who included parts from Glass's North Star in Platinum , and bands such as Tangerine Dream and Talking Heads.

Glass had begun using the Farfisa portable organ out of convenience, [] and he has used it in concert. In , Glass and Klaus Kertess owner of the Bykert Gallery formed a record label named Chatham Square Productions named after the location of the studio of a Philip Glass Ensemble member Dick Landry.

In , Glass and his producer Kurt Munkacsi and artist Don Christensen founded the Orange Mountain Music company, dedicated to "establishing the recording legacy of Philip Glass" and, to date, have released sixty albums of Glass's music.

Glass has composed many film scores, starting with the orchestral score for Koyaanisqatsi , and continuing with two biopics, Mishima: A Life in Four Chapters , resulting in the String Quartet No.

In he composed and conducted the score for director Harrison Engle's minimalist comedy short, Railroaded, played by the Philip Glass Ensemble.

This was one of his earliest film efforts. The year after scoring Hamburger Hill , Glass began a long collaboration with the filmmaker Errol Morris with his music for Morris's celebrated documentaries, including The Thin Blue Line and A Brief History of Time In he composed the theme for Reggio 's short independent film Evidence.

He made a cameo appearance—briefly visible performing at the piano—in Peter Weir 's The Truman Show , which uses music from Powaqqatsi , Anima Mundi and Mishima , as well as three original tracks by Glass.

In the s, he also composed scores for Bent and the thriller Candyman and its sequel, Candyman: Farewell to the Flesh , plus a film adaptation of Joseph Conrad 's The Secret Agent In , he finished a new soundtrack for the film Dracula.

The Hours earned him a second Academy Award nomination, and was followed by another Morris documentary, The Fog of War In the mids Glass provided the scores to films such as Secret Window , Neverwas , The Illusionist and Notes on a Scandal , garnering his third Academy Award nomination for the latter.

In , Glass composed original theme music for Transcendent Man , about the life and ideas of Ray Kurzweil by filmmaker Barry Ptolemy. In the s Glass's work from the s again became known to wider public through various media.

In his Concerto for Violin and Orchestra was featured in the surreal French thriller, La Moustache , providing a tone intentionally incongruous to the banality of the movie's plot.

In , Rockstar Games released Grand Theft Auto IV featuring Glass's "Pruit Igoe" from Koyaanisqatsi. Watchmen also included two other Glass pieces in the score: "Something She Has To Do" from The Hours and "Protest" from Satyagraha , act 2, scene 3.

In Glass contributed a piano piece "Duet" to the Park Chan-wook film Stoker which is performed diegetically in the film.

Glass's music was featured in two award-winning films by Russian director Andrey Zvyagintsev , Elena and Leviathan For television, Glass composed the theme for Night Stalker and the soundtrack for Tales from the Loop Glass has described himself as "a Jewish - Taoist - Hindu - Toltec - Buddhist ", [16] and he is a supporter of the Tibetan independence movement.

In , he co-founded the Tibet House US with Columbia University professor Robert Thurman and the actor Richard Gere at the request of the 14th Dalai Lama.

Glass has four children and one granddaughter. Juliet b. His second marriage was to Luba Burtyk; the two were later divorced.

He had two sons, Cameron b. Glass lives in New York and in Cape Breton , Nova Scotia. He was romantically involved with cellist Wendy Sutter for approximately five years.

Glass is the first cousin once removed of Ira Glass , host of the radio show This American Life. Ira interviewed Glass a second time at a fundraiser for St.

Ann's Warehouse ; this interview was given away to public radio listeners as a pledge drive thank you gift in Ira and Glass recorded a version of the composition Glass wrote to accompany his friend Allen Ginsberg 's poem " Wichita Vortex Sutra ".

In an interview, Glass said Franz Schubert —with whom he shares a birthday—is his favorite composer. Glass counts many artists among his friends and collaborators, including visual artists Richard Serra , Chuck Close , Fredericka Foster , writers Doris Lessing , David Henry Hwang , Allen Ginsberg , film and theatre directors including Errol Morris , Robert Wilson , JoAnne Akalaitis , Godfrey Reggio , Paul Schrader , Martin Scorsese , Christopher Hampton , Bernard Rose , and many others , choreographers Lucinda Childs , Jerome Robbins , Twyla Tharp , and musicians and composers Ravi Shankar , David Byrne , the conductor Dennis Russell Davies , Foday Musa Suso , Laurie Anderson , Linda Ronstadt , Paul Simon , Pierce Turner , Joan La Barbara , Arthur Russell , David Bowie , Brian Eno , Roberto Carnevale , Patti Smith , Aphex Twin , Lisa Bielawa , Andrew Shapiro , John Moran , Bryce Dessner and Nico Muhly.

Among recent collaborators are Glass's fellow New Yorker Woody Allen , Stephen Colbert , [] and poet and songwriter Leonard Cohen. Musical Opinion said, "Philip Glass must be one of the most influential living composers.

Justin Davidson of New York magazine has criticized Glass, saying, "Glass never had a good idea he didn't flog to death: He repeats the haunting scale 30 mind-numbing times, until it's long past time to go home.

Michael White of The Daily Telegraph described Glass' Violin Concerto No. This new concerto is unmitigated trash: the usual strung out sequences of arpeggiated banality, driven by the rise and fall of fast-moving but still leaden triplets, and vacuously formulaic.

Philip Glass is no Vivaldi , a composer who even at his most wallpaper baroque still has something to say. Glass has nothing—though he presumably deludes himself into thinking he does: hence the preponderance of slow, reflective solo writing in the piece which assumes there's something to reflect on.

Best Original Score. Anthony Asquith Award for Film Music. From Wikipedia, the free encyclopedia. American composer.

Minimalism contemporary classical film score. See also: List of compositions by Philip Glass. See also: Minimalist music. Glass' musical style is instantly recognizable, with its trademark churning ostinatos , undulating arpeggios and repeating rhythms that morph over various lengths of time atop broad fields of tonal harmony.

That style has taken permanent root in our pop-middlebrow sensibility. Glass' music is now indelibly a part of our cultural lingua franca , just a click away on YouTube.

Main article: List of compositions by Philip Glass. Retrieved March 29, SPIN Media LLC. Glass himself never liked the term and preferred to speak of himself as a composer of "music with repetitive structures".

Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry.

Glass: A Portrait of Philip in Twelve Parts. Event occurs at New Revision Series. Retrieved September 20, The Guardian.

The Rough Guide to Classical Music. Retrieved March 20, Retrieved March 27, Words Without Music: A Memoir , New York: W.

Retrieved April 19, Taxi Driver? September 26, Retrieved November 7, Press, New York, , p. Archived from the original on February 9, In Their Own Words; 20th-Century Composers.

Episode 2. March 21, May 31, BBC News. September 12, Los Angeles Times. November 19, Archived from the original on October 1, Archived from the original on July 14, January 21, The New York Times.

February 25, San Jose Mercury News. Retrieved December 2, Carnegie Hall. Archived from the original on January 26, Australian Broadcasting Corporation.

Retrieved April 10, Archived from the original on April 22, Retrieved April 22, February 10, April 24, Long Beach Opera.

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